Flash In The Can
Rannie Turingan was Web
Designer’s eyes and ears at
Toronto’s Flash In The Can 2008
Break convention, break the rules, break
the box, just break it! This was the overall
theme for this year’s FITC Toronto Design
& Technology Festival. Now in its seventh
year, FITC Toronto is the largest event of
its kind, attracting over 1,000 attendees
internationally from more than 15 different countries.
The festival includes the conference itself as well as
a job fair, interactive exhibits and awards show. “The
theme this year is about pushing the limits,” says Shawn
Pucknell, founder and executive producer of FITC
Toronto. "We want delegates to walk away from the
festival with new ideas, new skills, new contacts and a
new sense of purpose about their work."
Being a photographer and content creator for
the web, I’ve always found it a challenge to create
innovative projects for myself. It’s obviously important
to create something that is visually engaging, but
in recent times I’ve found that creating work that
looks good is simply not enough, it should also be
meaningful. So checking out the work of Brooklynbased
Evan Roth at the Graffiti Research Lab seemed
to be right up my alley. In his presentation he talked
about the work he has done internationally, lasertagging
buildings. Using large projectors and laser
pens along with some handy code, Roth was able to
draw temporary tags on buildings in an interactive
way that brings the art of tagging to a massive scale.
The code itself is open source, but Roth’s work is more
about bringing art into the public space. He says that he
doesn’t want to commercialise the process.
On the opposite end of the spectrum, there was a lot
of commercial work being shared during the various
FITC presentations, but a focus was definitely placed on
the challenges and how to overcome them. This was
especially evident in the sessions by firms like Grupo
W, based out of a small town in Mexico, and North
Kingdom from Skelleftea, Sweden. Imagine using 90
per cent of your budget to hire a renowned animation
company to get the job done right, which was the case
for Grupo W. In the end, they produced an amazing
campaign that put them on the map. And in the case
of North Kingdom, they’ve helped form a collaborative
community within their small city that has helped
leverage their workflow. Both firms have shown that
working in a world-class city isn’t required to produce
world-class content; instead, it was all about hard work
and innovation.
The keynote by Adobe’s Platform Evangelist
Mike Downey and company definitely highlighted
the various innovations in the industry. Downey, a
self-proclaimed nonprogrammer, didn’t use slides
but opted to share his presentation through an AIR
application that he created himself. He then invited a
few of his Adobe colleagues to share other innovations
in the field, which included a couple of sneak-peek
features that they are building into the upcoming
CS4 release. Needless to say, the crowd was wetting
themselves with anticipation as they applauded the
various new animation techniques presented.
Of course, one can’t talk about FITC without
mentioning the likes of designers Eric Natzke and
Joshua Davis. What impressed me most about
these two was their use of photography to capture
inspiration, both in colour and design. They discussed
the processes and methods that have led to their
recent works, from initial thoughts to mistakes made
along the way and finally a finished product. What’s
really interesting is that both stressed the importance
of making mistakes and looking at things in different
ways and building on simplicity. It’s those unintentional
mistakes that often lead them to the right path despite
their initial ideas. It’s viewing something through the
eyes of a child to realise the need to be more fluid. And
it’s building up your process through a series of simple
changes that creates the complexity in your work.
Robert Hodgin ended the conference with his talk
about processing. His inspirations being projects that
used numerous small objects to create a larger work,
such as the art of Jennifer Maetre, who would create
prickly sculptures out of a surplus of spare pencils.
Hodgin also makes reference to the flocking methods
of birds, whereby they randomly and collectively create
various shapes and forms in-flight. In his presentation,
Hodgin walked us through the steps he used to create
random complexity through simplicity with the help of
his processing methods. It definitely broke down the
thought that complexity equalled difficulty.
Despite not being a Flash developer, I left FITC
Toronto feeling inspired, armed with new methods of
viewing my own medium. It definitely helped me break
out of my own box, breaking down the complex into
simpler processes in my head, making me question how
and why I should work on various projects. All in all,
mission accomplished.
In recent years, FITC has expended their
programming on an international level. Look out for
future FITC events happening this year: June sees it hit
Chicago, Calgary in September, Korea in October, and
Amsterdam again in February 2009. For full details on all
the venues and ticketing, visit
www.fitc.ca or be sure to
watch Web Designer for further announcements.