Flash Gurus (Pt II) Curtis & Da Silva

THE MOTION MEN
Hillman Curtis
vs Nicholas Da Silva

Flash isn’t all about web design. There’s a huge community built around making short films and animations – just ask our gurus…

Places of worship // www.hillmancurtis.com // www.yahoo.com // http://paramountvantage.com // www.zoolook.com // www.iwantmyflashtv.com

When it came to doing something as grandiose as picking the five most important men in Flash, the important criteria had to be variety. Part of that was always to include someone who was using Flash for its original purpose – animation and making short movies. This left us with a contentious decision between two men ultimately, one of which was all-round design superstar, D. Hillman Curtis. His recent penchant for focusing on filmmaking, both online and off, coupled with a reputation synonymous with Flash made him an important candidate. However, we can also call on a dear friend of the magazine, another man who has created a burgeoning subculture for Flash animation shorts and promoted exposure of other artists: ZOOLOOK’s Nicholas Da Silva. In a moment of indecision, rather than split the two it seemed more appropriate to combine and contrast their efforts for the greater good.
At the age of 45, there isn’t much Curtis hasn’t achieved or at least attempted in his creative career thus far. Born in San Francisco and currently residing in New York, Curtis initially came to prominence as a guitarist and songwriter in a band called The Green Things. Despite scoring a US radio hit with the track Beverley Hills 90210, the musical pursuits didn’t take off as hoped and the 30-year-old Curtis decided to venture into pastures new. Armed with a Mac and a copy of Photoshop, he embarked on a number of tough internships and CD-ROM production gigs before landing a freelance opportunity at Macromedia. Once hired full-time, it took him just eight months to be promoted to art director, working at that point with software such as Director and After Effects before the firm acquired Flash and the possibilities that went with it. “I love film and Flash gave me the ability to quickly experiment with cinematic motion, rhythm and pacing”, he explained to glidemagazine.com. “At the same time, I started to become aware of motion designers like Saul Bass, Pablo Ferro and Kyle Cooper.”
In 1999, he became principle and chief creative officer of his own agency, hillmancurtis. Inc, which has since gone on to scoop an illustrious array of awards for very big commercial clients. Peruse the portfolio at www.hillmancurtis.com and you’ll find examples for Adobe.com, Yahoo!, Paramount Vantage Films, AOL, Rolling Stone magazine and the Metropolitan Opera, as well as some sublime Flash motion commissions for successful campaigns. A growing collection of live-action short films includes work for NYC’s School of Visual Arts plus several conceptual pieces, as well as a recent CD-packaged documentary for the David Byrne and Brian Eno album, Everything That Happens Will Happen Today. However, no matter which direction Curtis treads, he can’t get too far away from his digital design roots – especially as the man dubbed affectionately by the creative press as “the Pope of Flash” or “the Michael Jordan of web design”.
“I don’t really do a lot with Flash these days, mainly prototyping interactive tests for larger CSS or JavaScript sites”, he told fairspot.com. “That said, I’ll always be a proponent of Flash and a fan. My thoughts on the internet are still excited ones; I still am grateful to be involved in the most relevant medium of our time.”

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